50 customer reviews of mandy.com
Mandy Rating
Description: We are the world’s largest creative community of actors, film and TV crew, theatre professionals, child actors, voiceover artists, dancers, singers, musicians, models and extras.
We empower professionals to find work in TV studios, on movie sets, in training institutions, events, concert halls, theatre companies and art collectives. We help cast commercials, link art directors with cinematographers, and bring lighting designers to dark stages. We support our members as they promote themselves and network across the arts and media industries.
We champion professionals as they take control of their careers and introduce producers, casting directors and HR managers to the best talent for their projects. We host events and bring together collaborators. We link service providers to clients, artists to agents, aspiring students to colleges... and animal wranglers to dogs.
Having good contacts is our raison dêtre, and we have the history and industry expertise to match. Armed with these qualities, we have established the most dynamic digital career hub for creative talent around the world.
Address: Angel House, Angel Mews, United Kingdom, N1 9HH
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Mandy is not registered on BBB. Therefore, this business has no BBB rating and accreditation.
Avoid like bubonic plague.
PS. I've raised these concerns with Mandy.com and after 3 years of paid membership, Mandy can't be bothered to even reply to any email I send.
Not even sure if they're legal.
Today I received an email alert for a Flight Attendant Role@£100 only to discover when applying it was for a female and not a male.
The other email i received today was a requset for 'Extras' (how derogetory) when I have an Actor's Membership - not an SA profile.
And then when you get jobs offering NLW £70 per day advertised to professioanl actors it just p*sses me off. This is what Starnow offers and Mandy was meant to be Professioanl - thats the membership I paid for.
Fed up with this, going back to Spotlight for real job opportunities.
Also last week I got an email from a guy claims that he is from Mandy.com and trying to offer me a job which later discovered as a scam, or a drug dealer becuase he asked me to "move money to his vendor".
Set in 1983 near the Shadow Mountains, Red (Nicolas Cage) and Mandy (Andrea Riseborough) live a quiet and simple life confined to the lush landscape of the wilderness. The tranquil settings of their environment codify their rocky, individual history. It's hinted that Red has trouble with alcoholism. Mandy tells a story about her father and the killing of baby starlings. Where Mandy have emotional and physical scars, they find solace within each other. More so Red, in how their story is set up. When they first have a discussion in their bedroom, you see a full galaxy.
This all changes once The Children of The New Dawn pass through and their leader with Buffalo Bill like tendencies, Jeremiah Sand (Linus Roache) sees Mandy and becomes obsessed with her. Without going too much into her backstory, the movie conveys that Mandy has a magnetism to the men around her. It goes from love to outright toxicity. Riseborough does a great job in showing this with her facial expressions during the slow camera shots.
There are parts of the movie that reveal themselves like acts that have animated titles. When you get to the 2nd and 3rd acts, that's where the real depravity of this cult starts to show itself and its sinister motives for the couple. The cinematography by Benjamin Loebis conveys this in two ways. Loeb works together with Cosmatos's vision to show the vastness of the wilderness, often in wide shots. Mandy does not have many characters, so they also make the movie very personal and restricted. It's a confined story. You'll see this in the over-the-shoulder shots of Red driving his car or how the camera focuses of Red's non-verbal cues.
One of the standouts of this movie is the performance of Nicolas Cage as a man who has lost the thing that's dear to him. Red's descent into vengeful madness is a journey that takes us to one of the most powerful scenes. You don't get to hear Red's reaction as Mandy spoiler gets killed. Only the aftermath is shown, first with exhaustion and shock, and one of sadness and rage as he's in the bathroom. It's a very human transition that Cage does convincingly.
Mandy becomes the focal point for Jeremiah. His position as the head of this cult based on his telling that he was chosen by a higher power is very built on hyper-masculinity. When Mandy mocks that, Jeremiah begins to briefly doubt himself and he kills her to keep that aura. Before the execution scene, Roache executes a monologue with himself in a mirror where he portrays the human and "god complex" sides of himself which was subtle, but great.
There's a real question of what's real and what's not. The drug use, LSD in particular, makes you question the validity of what you're watching. Are there really bikers from hell? Are we in a hallucinogenic journey of something as simple as the casualty of loss and the internal makeup of cults? Cosmatos plays with the fringes of reality to where you can determine which route you can go.
Color is used in a spectacular way as an atmospheric plot device. When the Children of The New Dawn arrive in a scene, especially with Sand, they are engulfed in red light. As Red is going on his murderous recourse of revenge, red is usually trailing him. Strobes of color are utilized when the cult or the Black Skulls are doing something or arriving somewhere. The real instances of light are used in fire—a motif that comes up in two key parts of the movie. Fire is a "cleansing" agent. Jeremiah uses fire to clear the "instance" where his power was questioned. Red uses fire in the accumulation of his journey of retaliation.
Plot-wise, it's two sides of the coin. You want to get more backstory on how The Children of The New Dawn came to be. You only get information on the Black Skulls briefly from Red's friend Caruthers (Bill Duke). Other than that, motivations are very streamlined. Where the story of the movie is very straightforward, the aesthetics are there to try to fill in the grey areas. The score from the late Jóhann Jóhannsson does a great job in keeping the tension and also heightening the importance of the battles that Red goes through.
Mandy is a love letter to a time where horror movies had a combination of otherworldly visuals and contemporary special effects to show the sheer brutality of either revenge or evil. It's a story of idolatry gone unchecked and a man's fever for rage burning ever so bright on a collision course.
If you want a platform that doesn't rip you off and only deals with professionals, use Production Base.
My story is that I wanted to break into the business and had a friend suggest me this website for Jobs and Auditions.
Like is our nature as performers, I had a slight apprehension of its reliability, yet quickly proven wrong. Right away I began to at least get noticed and called in to rooms.
Look at it this way, if you get just ONE job off of it, it will more than pay for your subscription fee.
That's it, I was hooked and it's an Immensely useful tool for an unrepresented actor to start working and gain experience. It has grown as a site since I joined and become very User friendly.
It's worth the money because it makes YOU money.
Carry on Mandy :)
It advertises itself as the No1 casting website for UK Actors. It isn't. Spotlight is.
People say it must be a scam. It isn't. It's a simple P2P (pay to play) website. You pay to get access to castings just like you do (and your agent does) on Spotlight and Casting Networks.
It used to feature jobs that paid Equity rates. Now it rarely does. Pay rates are now likely to be closer to those of extras and supporting artistes.
Very occasionally you get some high budget commercial castings on there. Mandy don't reveal who the casting director is, and often omit exact casting dates and filming dates, but you can always find these same jobs already featured on Spotlight or Casting Networks with more information. Such jobs are often for ethnic minorities, specific language skills, or specific physical skills that possibly are harder to find on Spotlight.
I don't think any high paying commercial casting job that I've ever applied for on Mandy or Actors Pro has resulted in my audition even being opened which leads me to suppose that Mandy is kind of just-in-case fallback option, an if-all-else-fails type thing.
In the main, the jobs are low pay ones either posted by students, low budget film producers or cost cutting media companies. They are genuine jobs but mostly serve only to drive performers' rates of pay down and down.
They used to have a really useful feature where they showed you when your audition had been viewed and even at what time of day (so you could even tell if the employer had looked again the same day). The time of day was then removed, but you could still tell if your profile had been viewed AND if your reel had been viewed by that employer. Then it became harder to see if your audition clip/demo had been watched or not. Finally they gave us all the chance to see how many non human bots had viewed our profile in a given time period, as if that was some kind useful tool!
It's not very expensive, and you get a discount if you're already a basic Actors Guild member, but to be frank, it really is pretty much a waste of time becoming a Premium member unless you just want to up your credits or pay some bills, or work for low rates, in which case, fine, but don't expect to hit the big time there.
1. You are only allowed to see auditions for jobs in the Country in which you live. This makes NO sense for VO work, as most of the advertised auditions are for performers with home studios. In other words, Mandy could hire anyone, anywhere to do the job. My current and past freelance VO clients are all in the US or the UK.
2. Most of the jobs posted pay less than minimum wage or want you to work for "exposure". There are never any union gigs up for grabs.
3. Most of the jobs posted in the VO section are for Radio Announcers/Hosts. These are usually the kind of jobs that are posted under "journalism" as they usually require at least 3 years experience in the Radio Production or Journalism fields
4. Most of the auditions are widely posted elsewhere for FREE.
5. Their Support claims that they post about 200 VO auditions monthly. The number is closer to 20-30
6. I got creepy messages from randos who liked my photo.
7. They have a feature so you can see how many people with Mandy accounts are viewing your profile and how many times you come up in searches. In theory, this is a great feature. In reality, 9 times out of 10 the only people viewing your profile are other VO artists looking for work.
8. You cannot view the profiles of potential employers, EVEN IF the send you messages or make you an offer.
Sorry to say, but Mandy.com reeks of scam. I don't think it's intentional, the platform is just badly researched and ignorant of how the VO industry works or the kinds of features that VO artists need. Save your money.
Had the gear been provided in most of this and the client take care of the cost as well as transportation and a per diem, then perhaps it might be more appealing.
I would love to rejoin if I had the equipment, or even if the above was provided that all I had to do is show up, do the work, get paid, go home. Then I could definitely see investing more into this.
The only thing I would say is that paid credits are very rare, so at times the £20 monthly fee doesn't seem worth it. However, I doubt that's down to Mandy - I just think the industry is oversubscribed and low/no paid work is now common for independent productions. Nevertheless for an actor in the early stages in their career, it's great for new opportunities and experiences.
They are just another parasite out there preying on the hopes and dreams of people who want to get into the nasty business that is showbusiness. I have personally given up trying as I don't like what I have seen.
My negative rating isn't purely down to the fact that it's a particularly bad site because it's alright - you have a profile page, can upload docs like CV, list contact details and references etc - but largely due to the fact that it is, and always has been, populated by arrogant and ignorant wankers who a lot of the time don't actually know what they're doing or anything about the industry.
Even when I was looking for unpaid opportunities starting out, I probably received one reply from every hundred apps if I was lucky. Nothing's changed despite having a strong portfolio now and seeking paid work, which a lot of the time is pitiful - my day rate is more than what's offered for a feature film!
People posting jobs there should also really learn that if they're offering very low if any pay, Mandy shouldn't have the tenacity to list ridiculous demands of applicants to be professional experts with 50 feature film credits, able to provide a Dolby Atmos studio in the heart of Soho for 6 months free of charge, have Scorsese, Spielberg and Tarantino's numbers on speed dial, be able to secure an international release deal and bring Hitchcoc back from the dead to direct their film... but it's OK, because you'll get an IMDB credit and copy of the DVD for your hard work.
If it was free I wouldn't have written this review, but it's cost me money so thought I'd relay some facts. Hopefully it won't be too long before someone provides a solution by setting up a free, user serviced website to provide competition and get film industry staff working a bit more collaboratively.
UPDATE: still not a single job from it since originally posting this.
About 3 years ago it went downhill fast. Users had to pay £30/month or £200(?) a year just to read job descriptions and apply, this should be illegal but Mandy used a loophole in some 'advertising' law. Insulting.
Since then they've managed to make things worse, people now have to pay for the £200+VAT yearly subscription.
This is absolutely ridiculous, I'd understand if I had to pay a couple of quid to apply for a job (although still wouldn't be too happy about it) but £200?!
People need to stop giving them money so they can either disappear for good or rethink their business model.
Like most businesses, it was better when it was good ol' Mandy before they got bought out buy a bigger, more evil fish!
By the "others" (and you know who you are) that basically prostitute
The voice market, and had become gun-shy about re-entering into the
Market.
After about a week of not wanting a "full" membership, I began to
Receive free queries about jobs. I actually received responses and
Potential work from producers and ADs. What better promotion for a
Regular membership?
In the words of philosopher Barry Manilow: "Oh, Mandy!"